Bazin on the Margins of the Seventh Art

André Bazin is known primarily as an advocate of realism, yet his admiration for animation, abstract film, and the essay-documentary belies a deeper mission: to advocate for cinema's variety. Analyzing his criticism of films by the likes of Norman McLaren, Jean Mitry, and Chris Marker, we find a Bazin who shepherds filmmakers in marginal genres away from realistic representation. This unexpected perspective clarifies the social motive behind Bazin's realist advocacy—the "popular vocation of cinema." Bazin redefines "avant-garde" filmmaking in relation to this populist aim and relegates elitist works, such as hard-core surrealist films, to a decadent flanc-garde.

Analyzing his criticism of films by the likes of Norman McLaren, Jean Mitry, and Chris Marker, we find a Bazin who shepherds filmmakers in marginal genres away from realistic representation.
Opening Bazin book cover image

Opening Bazin


Edited by Dudley Andrew